It would be nice to think that the infusion of new blood into the Star Wars franchise, in the form of director Dave Filoni and screenwriters Henry Gilroy, Steven Melching, and Scott Murphy, would reinvigorate the series and correct the shortcomings of some of the previous installments. It would be nice to think that the introduction of animation to the mix might create new opportunities for the storytelling aesthetic. It would be nice to think a lot of things, but this latest installment suffers from all of the less appealing qualities of its predecessors and benefits from few of their strengths.

Star Wars: The Clone Wars takes place in between Attack of the Clones and Revenge of the Sith, and somewhere in the middle of the Clone Wars television series that appeared on The Cartoon Network from 2003-2005. A newsreel style introduction (unfortunately reminiscent of Starship Troopers) explains that the eponymous conflict between the Republic's Jedi-led clone army and the Separatist droid army led by Count Dooku (Christopher Lee) is well underway. While Anakin Skywalker (Matt Lanter) and Obi-Wan Kenobi (James Arnold Taylor) fight a campaign on a distant planet, Anakin is saddled with a pupil, the Padawan Ahsoka Tano (Ashley Eckstein) who quickly proves herself to be plucky and impetuous in a way that's supposed to be endearing but is actually grating. (You're going to call Anakin "Skyguy?" Really?)

No sooner have Obi-Wan and Anakin completed their mission than they are assigned to rescue the kidnapped son of interstellar gangster Jabba the Hutt (Kevin Michael Richardson) in hopes of winning his favor, which is crucial to the war effort. All is, of course, not as it seems and the pair are soon drawn into a dark conflict with Dooku, his deadly apprentice Asajj Ventress (Nika Futterman), and lots and lots of droids. Excitement fails to ensue.

Part of the problem is the chronically flat dialogue, which has plagued the series ever since Lawrence Kasdan stopped having any input on that front. It's hard to tell how much of the voice acting seems deflated because of the uninspired lines, but it's equally dead. The CG/anime mash-up animation works remarkably well for rendering droids and spaceships, but seems awkward on the glassy-eyed human and humanoid leads, making the performances seem even more wooden. The graphics in the upcoming The Force Unleashed video game look more compelling.

Where stilted acting and hammy dialogue are nothing new for the series, a lack of vision is. Though some sequences still dazzle, such as a vertical battle up the side of a mountain, overall the look and scope of this installment is outmatched by the 2D animated series that preceded it. The action in that show displayed a far greater degree of imagination and appropriated the anime style more cleanly.

This installment also manages to omit interesting characters while adding unnecessarily annoying new ones. General Grievous, put to formidable use in the prior animated series, is absent, while a new member of the Hutt clan is introduced to baffling effect. Ziro the Hutt (Corey Burton) is Truman Capote in Hutt form and is about as good an idea as that sounds.

In watching The Clone Wars, one is filled with the overwhelming urge to grab George Lucas, thank him for his immeasurable contribution to the science fiction canon, and ask him politely to cut it out already. This will not work, however, as The Clone Wars is scheduled to become a 3D animated TV series this fall. Oh, the midichlorians...

The DVD includes commentary from Filoni and other crew members, plus a second disc previewing the TV series, six making-of featurettes, footage of the voice sessions, deleted scenes, and more.



A half-hour, computer-animated series, expanded from its earlier 2-D animated series of Clone Wars 3-minute shorts. Events take place between the Attack of the Clones (2002) and Revenge of the Sith (2005) films, and feature some of the original characters (e.g., Anakin Skywalker, Obi-Wan Kenobi, Padme Amidala, Mace Windu, Count Dooku) with new characters. Produced jointly by Lucas's company LucasFilm, Warner Bros and Turner Broadcasting.

Although miles better than the previous two, when held up against the original trilogy it still left me feeling under whelmed. Whether that it symptomatic of today's era when big budget spectacles are two-a-penny I'm not sure.

I'll start with the opening space battle in the film. Nobody can say it wasn't visually effective. You jump straight in to the midst of a battle. Starfighters zig zagging across every corner of the screen, explosions left right and centre, Laser fire criss crossing the cold vacuum of space, Obi-Wan and Anakin in a frenzied dogfight with the droid attack fleet. Probably millions spent on the scene and endless manpower dedicated to its completion. Visually stunning yet souless. Give me the sequence in ROTJ anyday, when in the cold stillness of space the rebel fleet come out of Hyperspace, ready to mount an attack on the Deathstar. The Imperial fleet hangs back in the distance and you know you are in for the mother of all space battles. You can't buy that sort of anticipation, that sort of "Oh My God, I can't wait for what's gonna happen next" feeling. This is what Star Wars is about A grand spectacle with feeling, not just a grand spectacle.

Then we have how easy some of the main protagonists go down. Count Dooku goes from a Sith lord capable of fending off Obi-wan and Anakin in AOTC to someone is easily taken down by Anakin with the shimmy of a lightsabre. I don't see how his skills and powers have improved so much from the second movie but we are told by Anakin that they have and we should just accept it. In the return fight between Luke and Vader in ROTJ. You sense Luke is empowered by the knowledge he has of Vader and a momentary lapse into anger by Luke allows him to bear down on Vader and bring him to the ground. A believable turnaround of events considering what has gone on before. Not so in the rematch between Anakin and Dooku. Considering Dooku manages to immobilise Obi-wan quite easily once again and fought Yoda to an arguable draw in AOTC's, the swiftness by which Anakin dispatches Dooku is a bit stretched.
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Then we have the romance. Portman is a great actress, you'll get no arguments from me. Apparently the rumour is Hayden can act as well judging by the reviews he had for Shattered Glass. Why is it then that when they share lines and romantic scenes together they can't muster an iota of the chemistry that Han an Leia had in the original trilogy. Anakin comes across as a simplistic figure, with simple lines. I believe the problem is Hayden always over compensates when he reads out his lines. Understandably he's trying to think how Lucas would want them to be delivered. Is he thinking, "How does saying I love you Padme in the Star Wars universe where there is a galactic war going, differ from saying I love you in the real world". What should I enunciate, what depth of feeling should I squeeze from my character, a tragic hero figure destined for a fall from grace. My feeling is that he shouldn't. Yes Star Wars is set in a galaxy far far away but I love you is still I love you no matter what context you put it in. That's why when the inevitable romantic scenes come along they still leave you feeling flatter than a pancake run over by a bulldozer. Harrison Ford and Carrie Fisher to me gave a very adult take on the relationship between Han and Leia. It was basically scoundrel meets women way out of his league and lets forget the hell out of all this sci-fi stuff and just act how we feel it should be. Result - classic scenes to watch again and again. Lucas unfortunately hasn't remembered this lesson in time for the final film.

The events that lead Anakin's turn to the darkside are also difficult to accept. Yes we know his transformation must be complete by the end of the movie less we find ourselves potentially forking out for the "Fourth in the Trilogy © Orange Cinema ad". But the excuse of needing knowledge to save his wife and keeping alive the only person who has this knowledge is the premise for an alarmingly rapid descent into the dark side. Sure he murders the Tusken Raiders in AOTC's without a second thought but that was shortly after his beaten mother died in his arms. After lopping Mace Windu's hand off and allowing the Emporer to lighting blast the bad-ass Jedi into the Corsucant night sky, there is not a hint of remorse by Anakin. A rapid betrayal of the Jedi, the murder of the Jedi children quickly follows, yet hours before he's still Anakin the Jedi. Sure a little confused, hugely frustrated but not a child-killer. Much more believable would be something like the murder of Padme in front of his very eyes and the Jedi complicity in this which might enable Anakin to turn against everything he believed in so quickly. Yet it is only the hint of great power he might be able to achieve under Palpatine tutelage that triggers Anakin to turn against everyone he loves, in an instant.

Oh and the final fight scene, Apparently doesn't matter if you are the chosen one. It's all about height. If you have the "Higher Ground" then the fight's yours. Someone should try telling that to the two pieces of Darth Maul laying at the bottom of a power shaft somewhere.
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Released in May 2005, the 28th anniversary of the release of Star Wars, and the first of the films to receive a PG-13 rating; showed how Luke Skywalker's father, Anakin (Christensen), went from a sweet-natured slave boy to the galaxy-crushing villain Darth Vader. The Sith was the evil sect that corrupted Anakin by drawing him into the dark side of the Force - the cosmic power and living energy field that balances the universe; the best scene = the opening space battle

I saw every Star Wars episode except this one. And the Sith one..I think. So OK I'm not a huge fan. But this one was long, and filled with bad acting and an abrupt ending.

The love story between Anakin and Senator Amidala strains credibility and they have no chemistry. The actor who played Anakin is not very compelling; he looks like a normal high-school kid; maybe that's the idea. His delivery was one-dimensional. The whole love story just seems like an extra factor the director put in there to make the film 3 hours long.

I'm a fan of Samuel L. Jackson, but was shocked at his awful acting here. He delivered lines not like a venerable Jedi knight; but as a Shaft reading a boring script. He had no inflection in his voice, but there was no gravity either. It was just shallow and made you feel as if the whole "episode" was just a sleepwalking effort by everyone. What an insult.

Ewan McGregor fared better. His young Obi-Wan had some good lines and he was convincing as a struggling mentor for his "paduan", Anakin.

C3PO and R2 appear, but they seem so dated already; and as comic relief it was entirely predictable.

The gladiator scene was perhaps the best action sequence. The clone battle was not very interesting. Who was the clone again? They all were wearing federation masks, so you can't tell.


You get to see Yoda light-saber duel with Count Dooku (nicely played by Christopher Lee)but the result of the battle was anticlimactic, as was the ending, abruptly stopping just when you thought the movie was hitting its stride. It's all those quiet scenes (Anakin going back for his mother, conversations with Padme, council conversations) that made this film extremely front-heavy, and made me so disappointed at the anticlimax after nearly 3 hours of viewing.

Grossed $80 million in its first weekend (May, 2002); opened six months later in about 60 IMAX theatres; nominated for 1 Academy Award, without a win; shot on Digital Video using a new 24-frame, High-Definition, Progressive scan camera; the title Attack of the Clones is a misnomer - the clones don't attack, but come to the defense of the Jedi; set 10 years after Episode 1, with Anakin Skywalker (Hayden Christensen) now a 19 year old Padawan (apprentice Jedi) to Obi Wan Kenobi (Ewan McGregor); the best scenes = the breathtaking aerial chase through the asteroid field, and the light-saber duel between the good Yoda and the evil Count Dooku (Christopher Lee)

By George Lucas
(22 years after his original directorial effort)
I am a fan of the Star Wars saga. I have always enjoyed the movies and I believe those who were disappointed are not being objective about this movie at all. I'll admit that I was expecting more from this movie in some aspects. The main problem that overall people really have with this movie and many don't even realise it is that one of the major plot elements, the conflict between the Naboo, and Gungans was not brought to the forefront with more of a sense of danger. I think Lucas was caught in a bind presentation wise because he wanted to bring the Jedi's conflict to the forefront and it cost this movie in the long run. There were specific scenes in the first three films that put the raw dangers of the Empire to the forefront.Examples of these scenes are when Luke returns home in 'A New Hope' to see that his only family in the universe have been killed, Han Solo being frozen in carbonite just after he and Leia realised their love for each other in 'Empire Strikes Back, and when Luke is tested and tempted by the Emperor, the Emperor apparently two steps ahead of Luke in 'Return of the Jedi.'All the while in the movie there were references to an invasion and people dying of catastrophic numbers but this was not for me at least brought to the front page. Qui Gon tells the queen at one point that he can't fight a war for her but with the way the cowardly Neimodians and weak droids are pushed around I don't see why not.The Gungan droid battle should not have been relegated to a mere distraction and even if it were the Gungans had no casualties. Even though I know Lucas wanted to preserve the PG rating I still think he should have brought the grittiness of the conflict equally through the major characters eyes. Just a pinch more of Dramtic punch would have done th trick. He had done that so well in all of the other Episodes and ultimately the dangers of the conflict were not evenly distributed. However this movie still is a remarkable achievment. The imagination and talents of many people still flow through this movie. The realisation of the underwater Gungan city, the podrace sequence, and the Duel of the Fates is visuallly amazing. I don't think the performances are wooden. I like Natalie Portman's portrayal of the young Queen. Jake Lyod's Anakin is very raw and he has an unpolished quality that naturally comes through for me. 'How does this wideeyed boy become so disenchanted with his life that he believes his only recourse is the Dark Side?'These elements are done very well and are typical Star Wars fare. To me this movie is a great opening act introducing the world to the players and eludes to future events. For me this movie sure teases the appetite for more and I know that I will see Attack of the Clones because of the questions left unanswered by The Phantom Menace. As a stand alone film this movie was an incredible movie experience.

Grossed $28.5 million in its first day of showings, and reached the $100 million level in a record five days; nominated for 3 Academy Awards, winning none; set 32 years before the original Star Wars films; introduced the young Darth Vader as a 9 year old boy named Anakin Skywalker (Jake Lloyd), and his future love interest - slightly older Queen Padme Amidala (Natalie Portman); also introduced CGI sidekick Jar Jar Binks; best scenes = the epic lightsaber duel, and the pod race through the Tatooine desert

The last film in Lucas' saga is a lavish, spectacular-looking production. It is often considered the ugly duckling of the original trilogy, but I think it is a notch above episode IV (and just a notch below episodes III and V). In fact, I think it is the third best film in the 6-part saga. As far as I'm concerned, it is still a grandiosely entertaining film. It is not a movie with a beginning, climax and ending; the film's mechanism operates with only one goal in its mind: bring closure to Lucas' universe. There is an air of finality attached to the whole thing, which makes the film a little too sentimental, but emotionally rewarding. Also, it is a lot of fun. New characters are introduced and old ones face new, unexpected challenges. C3PO and R2D2 provide (as usual) great comic relief. Leia and Solo are a wonderful romantic duo, and Luke is still a great character to identify with. Again, it is Luke's (and Vader's) inner conflict what gives the saga its backbone. Lucas' aggressive imagination is still very much apparent, and the film's themes of loyalty, hope, and redemption resonate strongly. I'm glad Lucas eventually dropped the idea of making episode VII, VIII and IX, because this film is a great bookend to a long, fascinating and captivating saga. Not a perfect movie, but fun in the best matinée style.



Nominated for four Academy Awards, winning none; winner of Special Achievement Oscar; grossed $309 million (domestic); set single and opening-day box office records; the most under-rated of the segments of the Star Wars saga; the best scene = the speeder bike chase

Nostalgia may play a part in the reason I love The Empire Strikes Back so much, but there's far more to it than that. This film has a fully realised sense of escapism, wonder and adventure that wasn't quite nailed in the first Star Wars film. I'm not a huge fan of Episode IV, I think it's relatively clunky, wooden and dated, but let's not talk about that; Episode V is where the Star Wars universe really blossomed and became something truly special. George Lucas' limitations as a director and writer of dialogue have thankfully been sidelined this time round; here we have a different director and new scriptwriters who take the genius of Lucas' imaginative story and enhance it with rapid-fire pacing and brilliant comic-book melodrama.

This has often been praised as the best of the Star Wars films, and I agree entirely with this opinion; as all exposition was dealt with in the first film, Empire gets down to business almost immediately. As there's no loose ends to tie up (leave that for Return of the Jedi), it ends with an astounding cliffhanger that has rightly gone down in cinema history.

What makes Empire stand out is its darkness; the full-blown optimism of the first film's happy ending pushed aside for deepening conflict, worsening odds and a greater awareness of the sheer power and evil of the Dark Side of the Force. Saying that, optimism is here too; as Luke undertakes training from Yoda, the Jedi Master, who hopes his new young apprentice will learn the ways of the Good Side and not become seduced into evil as Darth Vader did. Meanwhile, after a breathtaking assault on their temporary home base of Hoth, the Rebels are forced to separate, with Han Solo, Princess Leia, Chewbecca and C-3PO flying through asteroid fields, taking sanctuary in a mysterious cave and finally seeking refuge in the spectacular airborne Utopia of Cloud City, where Solo is reunited with his old friend Lando Calrissian.

As for Darth Vader, his quest to find Skywalker, for reasons unknown, is bordering on the obsessive; is there something about Luke we don't know? Why is he destined to meet Yoda and become a Jedi? As previously mentioned, Empire is dark; it begins gloomily and ends with merely a glimmer of hope after a finale of tragedy, betrayal and revelation.

Empire's atmospheres are bleaker than anything seen in the Star Wars universe to date. The ice planet Hoth is barren, desolate and so cold at night you could freeze to death. The swamp planet of Dagobah, where Luke receives training, is a sinister, brilliantly gloomy world of forests, bogs and murky rivers. Even Cloud City is revealed to sit atop of a world of limitless space and bleak emptiness.

The action is often superb; the battle on Hoth is probably the best aerial fight sequence of the entire trilogy, though it's possible that Jedi's concluding space battle outdoes it. The asteroid sequence is exciting, funny and wonderfully backed by a classic John Williams score. The final half-hour is a fantastically dramatic crescendo of high drama; Luke and Darth Vader's light sabre duel is a superb sequence, brilliantly staged and lit, very powerful and the culmination of the film's darkness.

Another scene of great power occurs on Dagobah, where Luke enters a cave of horror and is confronted by a surprise visitor, leading to an even bleaker twist of events. There's absolutely nothing in the first Star Wars film that even comes close to the power of this moment, it's arguably George Lucas' strangest, most unsettling moment in any of his films.

Yet, despite the fact that Empire is the darkest Star Wars film, I also find it to be the funniest. Han Solo is splendidly grouchy, and wonderfully played by Harrison Ford. C3PO's campiness is hilariously taken to the logical limit, while Yoda is a glorious new addition to the cast of characters; his early scenes are extremely funny. Darth Vader has developed a wickedly nasty sense of humour; his penchant for killing off unsatisfactory lackeys becomes shamefully amusing. I love the scene where the computer operator tries to keep his cool in the background even as Vader's telepathically choking the commanding officer right next to him.

Carrie Fisher, Billy Dee Williams and Alec Guinness play their roles without a hint of irony, as it should be. Escapism can lazily be delivered with a knowing wink, which can be a cop out when the creators don't have the imagination or the verve to create a truly convincing, sweeping world of wonder. The puppet-work on Yoda is pretty amazing, even to this day. I just don't think of him as a puppet, more a real character. Frank Oz's voice work is just perfect, effortlessly switching to playfully mischievous to wisely dignified. Mark Hamill as Luke is less of a bland, wet fish as he was in the first film; here he has actually has conflicts, both inner and outer, to deal with, and he handles the job nicely, especially in the ending.

Overall, The Empire Strikes Back is a remarkable example of screen entertainment; it has the proper sweep of a real space opera, it has confidence, imagination, beauty, humour, excitement and a truly brilliant story. It may very well be the best blockbuster movie of all time.

Irvin Kershner, George Lucas (exec-producer)


Grossed $6.4 million in its opening weekend and overall grossed $290 million (domestic); nominated for three Academy Awards, winning one (Best Sound); winner of Special Achievement award; famous for Darth Vader's line: "I am your father" and the severing of Luke's hand; set three years after the events in the 1977 film and considered by many to be a superior sequel to Episode IV

Star Wars (1977), (aka Star Wars, Episode IV: A New Hope) is one of the most popular, profitable, entertaining, and successful science fiction/action - adventure/fantasy films of all time. The film, shot mostly on location in Tunisia, Guatemala and Death Valley (California), advanced special-effects technology to a degree unseen before, with computerized and digitally-timed special effects. It ultimately helped to resurrect the financial viability of the science-fiction genre, a category of films that was considered frivolous and unprofitable, and brought the phrase "May the Force be with you" into common usage.

Pre-Star Wars director, USC graduate, and writer George Lucas had begun his career as director of the science-fiction film THX 1138 (1971), an expanded version of a prize-winning feature film he made while studying film at USC. It was produced by American Zoetrope and executive-produced by Francis Ford Coppola. He went on to direct and co-write the immensely popular American Graffiti (1973), a nostalgic story about California teenagers in the early 60s. It took four years for Lucas to develop his next film - this astounding cult film about "A long time ago in a galaxy far, far away..." from 20th Century Fox.

The modestly-budgeted production (of about $11 million) from the TCF/LucasFilm production company, made in Britain, was based upon Lucas' recollections of Saturday afternoon matinees, serials, and comic strips, usually with cliff-hanging endings.

The archetypal plot was influenced by a varied anthology of sources and eclectic references:

  • legendary Buck Rogers and Flash Gordon comic-book heroes and films [Lucas had originally wanted to remake the 1930's Flash Gordon movie serials, but the rights to the comic book character were snapped up first by Dino Di Laurentiis]; the works of cartoonist Alex Raymond included Flash Gordon and Jungle Jim; Lucas cited the classic movie serial Flash Gordon Conquers the Universe (1940) as the direct inspiration for his own space opera
  • previous science fiction films (such as Forbidden Planet (1956) and Stanley Kubrick's 2001: A Space Odyssey (1968))
  • the saloon setting of westerns (as a model for the inter-galactic watering hole)
  • the James Bond films
  • Joseph Campbell's book The Hero with a Thousand Faces
  • Carlos Castaneda's Tales of Power
  • medieval knights (King Arthur and Camelot) [Camelot's story also told of a young Prince, who with the help of a sorcerer/Merlin, a Sword and 'the Force' saves a Queen and defeats the Black Knight with the help of his Roundtable aides.]
  • sorcerers' tales and stories about magic (Tolkien's Lord of the Rings and Carlos Castaneda tales)
  • warrior legends, myths, fairy tales
  • Western good-guy vs. bad-guy stories
  • elements of other classic films or tales (e.g., The Wizard of Oz (1939), John Ford's The Searchers (1956), TV's Star Trek, Fritz Lang's Metropolis (1926), Riefenstahl's Triumph of the Will (1936), and Kurosawa's The Hidden Fortress (1958) and Yojimbo (1961))
  • Errol Flynn swashbucklers
  • dogfight-filled WWII war films, such as 633 Squadron (1964)
  • similar to the Greek tradition of beginning an epic in the middle ("in medias res"), this film (the first in a trilogy) was the fourth film in the entire series

The mythological tale of space-age heroism (fighting Evil for the sake of Good) featured memorable characters - a benevolent ex-Jedi Knight (Guinness), an imprisoned Princess Leia (Fisher) of the peace-loving Rebel Alliance, two comical robotic droids (R2D2, named after a piece of film editor's jargon - Reel 2 Dialog 2, and C3PO), a smuggler/mercenary space-pilot (Ford), a beastly creature named Chewbacca (a Wookie), and an idealistic young boy (Hamill) who becomes trained in the righteous ways of the Force in order to rescue the captured Princess from the evil Empire's Death Star and the dark forces of the Empire, led by evil Darth Vader (voice of James Earl Jones/David Prowse).

Lucas wisely combined three basically-unknown young American actors in the lead roles (Hamill, Fisher, and Ford acting like a screwball comedy threesome) with the acting talents of the great British actor Alec Guinness, and then added a pair of cute robotic droids and a Sesame Street-style creature (Chewbacca) to the mix. [Note that the film's hero, Luke Skywalker or Luke S. (pronounced "Luc-as"), was a way for director Lucas to get his name mentioned, subliminally.]

The blockbuster film left itself open for sequels (and prequels). Lucas announced plans for a second trilogy (and hinted at three more films) ten years after Star Wars' release - in mid 1987. In total, there were really only six films. Two prequels in a second trilogy were released in 1999 and 2002, with a third in mid-2005. The prequels focused on how the father of Luke Skywalker (Anakin Skywalker) succumbed to the dark side of the Force and became the evil Darth Vader:

The Harry Potter Films - Part 5

Harry Potter and the Order of the Phoenix (2007)
d. David Yates, 139 minutes

Film Plot Summary

During the scorching summer before his fifth year of studies at Hogwarts School of Witchcraft and Wizardry, young Harry Potter (Daniel Radcliffe) was forced to use his underaged wizardry skills outside of school - he was acting in self-defense to deter an attack of two Dementors against himself and teasing fat cousin Dudley Dursley (Harry Melling) - a Muggle (non-magical person), in an underground tunnel. When the Dementors began to suck their lives away, Harry called up a Patronus charm ("Expecto Patronum") with his wand to drive them away. In the Dursley household at Surrey, where he lived with his Uncle Vernon (Richard Griffiths) and Aunt Petunia (Fiona Shaw) during the summers, Harry received a letter from the Ministry of Magic, informing him that they had detected his performance of the Patronus Charm in the presence of a Muggle. It was a clear violation of the Decree for the Reasonable Restriction of Underage Sorcery, and he was to be expelled from school. Dudley's parents took their son away for medical treatment.

Harry was still having recurring nightmares of events in the previous film - Lord Voldemort's murder of classmate Cedric Diggory. He was visited by one of his Hogwarts teachers, Professor Alastor "Mad-Eye" Moody (Brendan Gleeson) and others (including Kingsley Shacklebolt (George Harris) and Nymphadora Tonks (Natalia Tena)), and told that Hogwarts Headmaster Albus Dumbledore (Michael Gambon) had persuaded the Ministry to suspend the expulsion, pending a formal hearing. As part of their rescue plan, they flew off on broomsticks with Harry to London, where he was escorted into the secret home of his godfather Sirius Black (Gary Oldman). A private discussion was being held in a meeting room of Order of the Phoenix members, as Harry ascended the stairs to his room and saw Black's house elf Kreacher (Timothy Bateson) mumbling to himself. He was greeted by his best friends Hermione Granger (Emma Watson) and Ron Weasley (Rupert Grint), who told him he was at the headquarters of the Order of the Phoenix (a secret society composed of a group of wizards, founded by Dumbledore), formed fourteen years earlier. [A number of the original members had been killed by Voldemort in the meantime: Marlene McKinnon, Frank and Alice Longbottom - the parents of student Neville (Matthew Lewis), and Harry's parents.]

During dinner, Harry learned that his hearing would be held before the entire Wizengamot of the Ministry of Magic, headed by its imperious leader Cornelius Oswald Fudge (Robert Hardy). Under Fudge's influence, The Daily Prophet wizard newspaper had been printing accusatory stories, one of which called Harry: "The Boy Who Lies." [Another claimed: "Dumbledore: Daft or Dangerous?"] Sirius explained how there was a smear campaign against anyone who claimed that the Dark Lord (Voldemort, or You-Know-Who) had returned. Fudge, clearly "twisted and warped by fear" and not in his right mind, according to ex-teacher Remus Lupin (David Thewlis), didn't believe that Voldemort was back, and was avoiding "facing that terrifying truth." Black believed Voldemort was again building up his army of witches, wizards, and dark creatures.

Harry was accompanied to the Ministry of Magic and its Department of Mysteries by Ron's father Arthur Weasley (Mark Williams). Harry faced a disciplinary hearing-trial on the 12th of August for producing a Patronus Charm in the presence of a Muggle; defense testimonies were given by Harry's neighbor Mrs. Arabella Figg (Kathryn Hunter), who claimed she witnessed the unauthorized attack of the cloaked creatures, and by Dumbledore, who claimed Harry's self-defensive use of magic before Muggles was due to the life-threatening situation. Dumbledore implored Fudge for reason: "The evidence that the Dark Lord has returned is incontrovertible." After a vote, Harry was cleared of charges, and he was off to school at Hogwarts on the express train with his friends. He continued to suffer hallucinatory dreams of death and visions of Voldemort.

When he arrived at Hogwarts with Ron, Hermione, and Neville, Harry was the only one to see a large Thestral creature pulling their carriage. In their carriage was an odd girl named Luna Lovegood (Evanna Lynch) who claimed he wasn't going mad: 'I can see them too. You're just as sane as I am." During the opening school dinner, Dumbledore announced two staffing changes: the returning Care of Magical Creatures Professor Grubbly-Plank while Hagrid (Robbie Coltrane) was on temporary leave, and the new Defense Against the Dark Arts teacher - the pink-clad Professor Dolores Umbridge (Imelda Staunton). She was one of the senior Ministry officials who had voted for expelling Harry during his hearing/trial - Hermione rightly sensed that the Ministry was interfering at Hogwarts. And the wizard newspaper continued to print articles against Harry (and Dumbledore), causing some students to be suspicious of him and call him a liar.

In Professor Umbridge's class, the authoritarian instructor insisted on strict discipline and a new curriculum: a "carefully-structured, Ministry-approved course of defensive magic." She promoted teaching theory ("theoretical knowledge") rather than practical magical defensive spells: "You will be learning about defensive spells in a secure, risk-free way." Harry questioned: "How's theory supposed to prepare us for what's out there?" and she replied: "There is nothing out there, dear." She was of the belief that Lord Voldemort did not exist and had not returned: "This is a lie." When Harry claimed he had seen Voldemort and fought against him (and that Voldemort was responsible for Cedric Diggory's death), he was punished for outspokenness about Voldemort's return and given a detention. Harry was forced to write: "I must not tell lies" using one of her special quills without ink (the phrase painfully appeared in blood on his left hand, creating a scar). She told him that he deserved to be punished. His friends urged him to report the 'torture' that he was receiving from Umbridge, but he refused, claiming it wasn't "simple" and that they didn't understand.

Feeling alone as winter approached, Harry wandered into the forest where he found Luna tending to the strange-looking Thestrals, the gentle winged horse creatures that only they could see pulling the carriages. She explained their unique ability: "They can only be seen by people who've seen death." Luna's mother had died - she was an extraordinary witch but one of her spells "went badly wrong" when Luna was nine years old. She told him she believed his story about Voldemort's (He-Who-Must-Not-Be-Named) return, Harry's struggle against him, and the Ministry's and Prophet's conspiracy against Harry and Dumbledore. She thought Voldemort was deliberately making Harry feel alone, to minimize his power as a threat.

Umbridge exercised further control over the school, announcing: "Things at Hogwarts are far worse than I feared." She was determined to loyally follow the Ministry of Magic's orders to immediately clamp down on the school and its teachings, by issuing a series of restrictive proclamations. She first appointed herself to the position of Hogwarts High Inquisitor, as the Daily Prophet described a new era of educational reform. The paper also claimed that public confidence in Dumbledore was dwindling. Parents endorsed the Ministry's new initiatives, to "address the seriously-falling standards" of the school. She forbade public kissing, sloppy uniform dress, and student playfulness. More proclamations were issued: No music during study hours, the banning of all Weasley products, and the maintenance of proper dress and decorum. Thick-glasses wearing Professor of Divination Sybil Trelawney (Emma Thompson), a teacher for 16 years, was fired and banished from the grounds for not offering up a prophecy to Umbridge's liking, to which Dumbledore objected and reversed the banishment.

The trio of Ron, Harry, and Hermione (who claimed: "She's taking over the entire school") were concerned about the latest happenings, and learned from Sirius Black (through embers in the fireplace) that "Fudge doesn't want you trained in combat." Fearing that they were forming a 'wizard army' at Hogwarts and that "Dumbledore is assembling his own forces to take on the Ministry," the paranoid Fudge was endorsing Umbridge's clamp-down, and "blocking the truth." Black warned: "Voldemort is on the move."

To properly defend themselves, they created a group called Dumbledore's Army (DA), composed of about 20 students to whom Harry would teach special defensive magic skills, such as spells to summon protective spirits. The students knew that Harry had wizarding experience: he had produced a Patronus Charm, killed a Basilisk with the sword in Dumbledore's office, fought off hundreds of Dementors at once in his third year, and the previous year had fought off "You-Know-Who" in the flesh. He modestly told the students he was lucky and always had help, and that "facing this stuff in real life is not like school." The newest Umbridge proclamation was: the disbanding of all student organizations (any one in non-compliance would be expelled). However, Neville discovered the Room of Requirement - a secret "Come and Go Room" that appeared since they had "real need" of it for their secret meetings: "It's like Hogwarts wants us to fight back." They practiced magical defenses and spells, with commands such as Expelliarmus, Stupefy, Diminuendo, Levicorpus, and Reducto. As the group took a break for the Chrismas holidays, Harry realized he had fallen for fellow student Cho Chang (Katie Leung) - who complimented him on his teaching, and they kissed under a mistletoe. She was still grieving over the loss of her ex-boyfriend Cedric Diggory, although recovering with her new love for Harry.

When infractions were suspected, two other Educational Decrees were ordered: All students had to submit to questioning about suspected illicit activities, and Those wishing to join the Inquisitorial Squad for Extra Credit could sign up in the High Inquisitor's Office. Slytherin Draco Malfoy (Tom Felton) and other students were recruited by Umbridge to form an Inquisitorial Squad to spy and report infractions.

Then, Harry experienced another nightmare, of Voldemort (as a snake) attacking Mr. Arthur Weasley in the Department of Mysteries. In fact, Weasley was "gravely injured" in an actual bloody attack, during which the Dark Lord "failed to acquire it" - Voldemort was seeking something not yet identified. Harry desperately asked: "What's happening to me?" Professor Snape was instructed by Dumbledore to give Occlumency lessons to Harry to shield him from the telepathic "connection between the Dark Lord's mind" and his own. If Voldemort was aware of the connection, he could exploitatively access, influence, read, control and unhinge Harry's mind. He might invade the victim's mind "creating visions designed to torture them into madness." [Later, Harry confessed: "I was the snake." He feared he was becoming more like Voldemort.]

During the holidays, Harry resided at Sirius Black's home (actually his parents' house) in London, where cantankerous, unpleasant house-elf Kreacher greeted Harry as "the boy who stopped the Dark Lord. Friend of Mudbloods and blood-traitors alike." Sirius Black showed Harry his Black family tree, and spoke of his deranged cousin Bellatrix Lestrange (Helena Bonham Carter).

When school recommenced, gamekeeper Hagrid (Robbie Coltrane) returned from temporary leave. Dumbledore had privately sent him to "parlay with the Giants" to convince them to join the cause. Death-Eaters were also recruiting them to join the cause of You-Know-Who. Hagrid was worried: "There's a storm coming, Harry."

Death-Eater Bellatrix Lestrange escaped from the prison at Azkaban with nine other high-security prisoners when the walls crumbled. Other Daily Prophet headlines: "Ministry Angers Centaurs." Fudge announced that the mass breakout was thought to have been engineered by "notorious mass murderer" Sirius Black. Fourteen years earlier, Bellatrix Lestrange used a Cruciatus Curse on Neville Longbottom's parents to kill them.

The Dumbledore Army's secret practice room was discovered by sinister but mousy Umbridge, and she reported it to the Ministry's leader Cornelius Fudge, who feared that Dumbledore was trying to destroy them. They had interrogated Harry's girlfriend Cho (with Veritaserum) and learned of its existence. When Dumbledore admitted he had instructed Harry to form the organization, he took full responsibility - and Fudge ordered him to be arrested and taken to Azkaban "to await trial for conspiracy and sedition." Dumbledore dramatically escaped with the aid of his Phoenix Fawkes. Argus Filch (David Bradley) posted the latest proclamation -- Umbridge was to become Hogwarts' new Headmistress after Dumbledore was ousted. The school became more of a lifeless, imprisoning existence under the rule of the "old hag" - who began to use corporal punishment.

Hagrid led the trio (Ron, Harry, and Hermione) into the Forbidden Forest, where they saw a herd of Centaurs riled up over the Ministry's restriction of their territory. He forecast that he would be fired by Umbridge in the near future, and introduced them to his simple-minded, Giant half-brother Grawp (Tony Maudsley), so that they could look after him when he was gone.

The Weasley twins Fred and George - riding on broomsticks, caused riotous chaos and disruption during Year 5 O.W.L. exams (on "Theory of Charms"), by setting off fireworks in the Great Hall. All of the framed Proclamations crashed to the floor as the twins flew away - applauded by their classmates. Simultaneously, Harry collapsed as he experienced another nightmarish vision within the Department of Mysteries, of Sirius Black being tortured with a "Crucio" curse by Voldemort, in order to give him a "prophecy." The trio planned to use the Floo Network (transport through the chimneys) to get to Sirius, but they were interrupted by Umbridge. Hermione cleverly thought up a way to trick and lead Umbridge into the Forbidden Forest, to locate "Dumbledore's secret weapon." Hermione, Harry, and Umbridge came upon Grawp's hiding place, but the Giant was missing. Umbridge realized she had been tricked, when a group of angry, weapon-bearing Centaurs approached. After she insulted them as "creatures of near-human intelligence" and "filthy half-breeds," and used an "Incarcerous" curse on one of them, they seized her and carried her away. Afterwards, the group of six students (the trio and Luna, Neville, and Ginny Weasley) flew on the backs of Thestrals to the Ministry of Magic in London, to save Sirius in the Department of Mysteries - the locale of all of Harry's nightmares.

In the film's climax, Harry and others were lured to the Dept. of Mysteries to save Harry's godfather Sirius Black, who was trapped there. Harry retrieved his own sphere that spoke a prophecy, stating: "For neither can live while the other survives" - the fact that Voldemort and Harry couldn't co-exist. One of Voldemort's Death Eaters, Lucius Malfoy (Jason Isaacs) approached, telling Harry: "You saw only what the Dark Lord wanted you to see." He was accompanied by a second Death Eater, Bellatrix Lestrange - brought there by Voldemort. Malfoy demanded that Harry calmly surrender and hand over the prophecy in the sphere, and spoke of the reason why the Dark Lord was unable to kill Harry when he was an infant: "Don't you want to know the secret of your scar? All the answers are there, Potter, in your hand. All you have to do is give it to me. Then, I can show you everything."

Refusing to relinquish the sphere, Potter and his group of D.A. students fought back an ambush by the Death Eaters, but everyone except Harry was captured and taken as hostage. Again, Harry was threatened by Malfoy to release the sphere with the prophecy: "Give me the prophecy now or watch your friends die." Fortunately, the Order of the Phoenix members, led by Sirius Black, appeared and battled against the Death Eaters - but the sphere dropped from Lucius' hands and broke. In the conflict, Sirius was murdered by Bellatrix with an "Avada Kedavra" Curse. Enraged, Harry pursued her for revenge, finding himself tempted by Voldemort's voice to use the Cruciatus Curse: "She killed him. She deserves it. You know the spell, Harry." When Harry turned to use his wand on Voldemort (Ralph Fiennes) himself, he was disarmed.

As the Dark Lord was about to kill Harry, Dumbledore appeared and engaged in a fierce duel with the Dark Lord - but it was a stalemate. Harry's agonized body was briefly possessed by Voldemort. Dumbledore strengthened Harry to ostracize Voldemort from his being: "It isn't how you are alike. It's how you are not." Harry spoke to the Dark Lord: "You'll never know love or friendship, and I feel sorry for you," and then repelled the Dark Lord by using his memories of his love and friendship for Sirius, Cedric, his friends Hermione and Ron, his parents, and others.

Cornelius Fudge and other Ministry of Magic officials arrived, via the Floo Network, and witnessed Voldemort as he disappeared: "He's back." The Daily Prophet reported: "Dumbledore, Potter Vindicated," "Minister to Resign?", and "Umbridge Suspended Pending Investigation," and the Ministry officially stated that Voldemort was still considered to be active: "He Who Must Not Be Named Returns." And "Hogwarts Headmaster Reinstated."

Dumbledore privately met with Harry, explaining how he knew it was only a matter of time before Voldemort made the connection with Harry, so he had deliberately distanced himself from Harry all year, to lessen the temptation for Voldemort, and to thereby protect Harry and cause him less pain. Harry realized that the prophecy ("Neither one can live while the other one survives") had to occur - he knew in the end that one of them would have to kill the other.

As the school year ended, and students prepared to leave for the summer, Luna told Harry: "The things we lose have a way of coming back to us in the end - if not always in the way we expect." Harry resolved to continue fighting, as he told his two supportive friends as they departed: "Even though we've got a fight ahead of us, we've got one thing that Voldemort doesn't have...Something worth fighting for."

Film Notables (Awards, Facts, etc.)

This film was based upon the longest book in the series, necessitating many cuts and variations from the original story - making this the shortest of the first five films.

With a production budget of $150 million, and gross revenue of $292 million (domestic) and almost $938 million (worldwide).

This film contained Harry's first kiss, with girlfriend Cho Chang (Katie Leung).


Harry Potter
(Daniel Radcliffe)

Ron Weasley
(Rupert Grint)

Hermione Granger
(Emma Watson)

Dudley Dursley
(Harry Melling)

Sirius Black
(Gary Oldman)

Albus Dumbledore
(Michael Gambon)

Cornelius Fudge
(Robert Hardy)

Dolores Umbridge
(Imelda Staunton)

Luna Lovegood
(Evanna Lynch)

Cho Chang
(Katie Leung)

Neville Longbottom
(Matthew Lewis)

Professor Severus Snape
(Alan Rickman)

Lucius Malfoy
(Jason Isaacs)

Bellatrix Lestrange
(Helena Bonham Carter)

Lord Voldemort
(Ralph Fiennes)

House-elf Kreacher
(Timothy Bateson)

Rubeus Hagrid
(Robbie Coltraine)

Giant Grawp
(Tony Maudsley)

Harry Potter and the Goblet of Fire (2005)  

Posted by Manzoor in ,

The Harry Potter Films - Part 4

Harry Potter and the Goblet of Fire (2005)
d. Mike Newell, 157 minutes

Film Plot Summary

In the film's prologue, Frank Bryce (Eric Sykes), Riddle manor's elderly caretaker, investigated a light in the middle of the night that was illuminated in the nearby manor. He eavesdropped on a conversation between servant Wormtail (Timothy Spall), Lord Voldemort (Ralph Fiennes) - seated in a chair, and a third unnamed or unrecognizable individual. They seemed to be conspiring, plotting and scheming to capture and then murder a boy (Harry). A large snake named Nagini, a symbol of Voldemort, reported that Bryce, the old Muggle caretaker, was listening outside their door. Voldemort's killing command of "Avada Kedavra" murdered the old man.

The entire prologue was experienced by young Hogwarts student Harry Potter (Daniel Radcliffe) as a troubling nightmare of a present-time event. He was with his best schoolmate friends, Hermione Granger (Emma Watson) and Ron Weasley (Rupert Grint) at the Weasley household, just before they set off on an early morning hike to a Portkey, and to the 422nd Quidditch World Cup. They were joined by the Weasley family, including Ron's sister Ginny Weasley (Bonnie Wright), and Cedric Diggory (Robert Pattinson) and his father. The final match was held in a giant open-air stadium - the teams were the green-uniformed Irish against the red-uniformed Bulgarians, led by Viktor Krum (Stanislav Ianevski). The end of the match's competition was marked by a violent, fiery attack of a group of black-garbed Death Eaters (evil wizards and witches, all followers of Dark Lord Voldemort) on the campsites of the spectators. They were scattered when a Dark Mark (a skull-shaped symbol of Voldemort, imprinted on the left forearm of all Death Eaters) was cast into the sky from an unknown individual (the third individual in Harry's dream, revealed later to be Voldemort's helper Barty Crouch, Jr. (David Tennant)), witnessed only by Harry. (He wrote a letter to his godfather Sirius Black, to tell him about his dream and the Quidditch match events.)

The Hogwarts Express train took the students to school, Harry's fourth year. During opening announcements at the school, Headmaster Albus Dumbledore (Michael Gambon) told everyone that Hogwarts had been selected to host the Triwizard Tournament, bringing together three schools to compete in a series of "magical contests...not for the faint-hearted." Each school would select a single student to represent them, and "eternal glory" awaited the student who won the tournament, by surviving three "extremely dangerous" tasks. At the same time, the Auror (or dark wizard catcher), Alastor "Mad-Eye" Moody, arrived. He was the new Defense Against the Dark Arts teacher - noted for his all-seeing, moving glass eye, powerful magic skills, disregard for rules and for teaching illegal lessons in his classroom, artificial leg (and limp), and ever-present drinking flask. Dumbledore called upon the head of the Department of International Magical Cooperation, Mr. Bartemius Crouch (Roger Lloyd-Pack), to explain the rules of the tournament, causing an uproar when he said no one under the age of 17 was to be considered.

The outrageously crazy Moody taught his students an illegal lesson about the three Unforgiveable Curses, including the Imperius Curse (when a victim was forced to do another's bidding), the Cruciatus Curse (aka the Torture Curse), and the third - the Killing Curse ("Avada Kedavra") - survived by only one person, Harry Potter.

Candidates names were placed in the magical Goblet of Fire for the TriWizard contest, for champion selection, to win the TriWizard cup. The three champions were:

  • Cedric Diggory (representing Hogwarts)
  • Viktor Krum (representing Durmstrang Institute from Bulgaria)
  • Fleur Delacour (Clemence Poesy) (representing Beauxbatons Academy of Magic from France)

Underaged 14 year-old wizard Harry was unexpectedly selected (to represent Hogwarts as a second competitor alongside Cedric Diggory). This immediately caused a personal rift between Harry and other students ("He's a cheat. He's not even 17 yet"), between Harry and best friend Ron, and between Dumbledore and adult representatives of the other competing schools. (Students began wearing "POTTER STINKS" badges, and Ron suspected that Harry had submitted his own name.) However, Mr. Bartemius Crouch ruled that the "suspect entrant" Potter must compete: "The Goblet of Fire constitutes a binding magical contract. Mr. Potter has no choice." Headmistress Minerva McGonagall (Maggie Smith) worried that Potter would be offered up as bait: "Potter is a boy, not a piece of meat."

Harry received a reply-letter from Sirius Black, telling him: "We need to talk, Harry, face to face." They met secretly in the Gryffindor Common Room at 1:00 am Saturday night. Speaking to him from the fireplace's burning embers, Sirius asked Harry about his earlier dream with Wormtail and Voldemort and the identity of the third man in the room. Harry only knew the man's task was ordered by Voldemort - to kill Harry. Black warned that the Quidditch incident and the Goblet choice were not just coincidences: "Hogwarts isn't safe anymore...The devils are inside the walls." It was possible that either former Death Eater Igor Karkaroff (Predrag Bjelac), the headmaster of Durmstrang Institute, or Mr. Barty Crouch, who sent his own son Barty Crouch, Jr. to Azkaban, put Harry's name in the Goblet - to kill him: "People die in this tournament." Many of Harry's classmates thought badly of Harry's inclusion in the tournament, including "pathetic" Draco Malfoy (Tom Felton), who bet that Harry wouldn't last five minutes.

The tournament involved three dangerous magical tasks:

1. a battle in a gladitorial arena to collect a golden egg from a dragon that protected it (the four types: Welsh Green, Chinese Fireball, Swedish Short-Snout, and Hungarian Horntail)

(Harry flew on his broomstick to overcome the fire-breathing, horntailed dragon, and get the egg - opening it revealed the next clue; Harry was tipped off by Cedric (with an additional hint by ghostly Moaning Myrtle (Shirley Henderson)), to take the egg to the Prefect's Fifth Floor Bathroom and open the egg underwater while taking a bath, to hear the musical clue from a singing mermaid from Black Lake)

During the tournament after the completion of the first task, a Yule Ball dance was held in the Great Hall on Christmas Eve night, with Harry accompanied by Parvati Patil (Shefali Chowdhury) (although his first choice was Cho Chang (Katie Leung)), Ron with her twin sister Padma (Afshan Azad), Cedric with Cho Chang, Neville Longbottom (Matthew Lewis) with Ginny Weasley, and Hermione with popular and athletic Bulgarian-Durmstrang competitor Viktor Krum, causing a slight fall-out between the trio of friends, especially due to Ron's jealousy.

2. an underwater rescue mission to retrieve, within only one hour, "four treasures, one for each champion" from mermaids at the bottom of Hogwarts' nearby Black Lake, and return to the surface

(Harry used Gillyweed, provided by a hint from fellow student Neville, to produce webbed feet and hands and gills - to enable him to breathe underwater for one hour, to rescue the "four treasures" (Ron - for Harry, Hermione - for Viktor, Cho Chang - for Cedric, and Fleur's little sister Gabrielle (Angelica Mandy)) who were chained underwater in a state of suspended animation; although Harry arrived first, he finished next-to-last due to his additional rescue of Gabrielle when Fleur dropped out - but he was awarded 2nd place for displaying "outstanding moral fiber")

After the completion of the second task, Mr. Barty Crouch briefly spoke to Harry about his victory, mumbling something about Harry's "tragic" story of losing his family: "Never whole again, are we? Still, life goes on..." Soon after, he was found dead in the forest, and there was debate about whether to continue with the tournament. While waiting in Dumbledore's office, Harry curiously looked into the Headmaster's Pensieve (a memory depository or storage area), and was transported back in time to witness one of Dumbledore's memories. He sat in a Wizard Council (Wizengamot) court trial, in which accused Azkaban prison convict, Death Eater Igor Karkaroff, presented names of other Death Eaters, including Severus Snape (whom Dumbledore claimed was cleared of charges since he was acting as a spy to bring down Voldemort), and Barty Crouch, Jr, who used the Cruciatus Curse and captured-tortured the Auror Frank Longbottom and his wife (Neville's parents). After the startling revelation, Barty's father denounced his son ("You are no son of mine") and wished for him to be imprisoned in Azkaban. Once he returned to his office, Dumbledore told Harry that there might be a small detail or clue within his memories, to explain why terrible things were happening recently at Hogwarts. Harry then told Dumbledore about his nightmare from the previous summer, and how he now recognized that Mr. Crouch's son was the third individual.

As Harry returned to his room, he found Karkaroff speaking to Professor Severus Snape in his store, talking about a "sign" that they both knew the meaning of. Suspicious of Harry, Snape then accused him of stealing Veritaserum, a truth serum, an ingredient for the brewing of Polyjuice Potion, used for impersonating the appearance of someone else.

3. to negotiate a tall hedge maze in order to be the first to touch the TriWizard cup placed deep within the maze

(All competitors were faced with collapsing hedge walls, poor visibility, tangling vines, and high winds inside the maze; wild-eyed and bewitched Krum incapacitated Fleur with his wand, and she was consumed by vines on the maze floor; then Krum went after Diggory using an "Expelliarmus" command, but Harry warned Diggory to get back and was able to save him from the same fate, and Krum was downed; the two Hogwarts competitors saw the TriWizard cup at the same time at the end of a long hedge corridor, but Cedric was attacked and held back by vines; although Harry could have reached it first, he freed Cedric with a "Reducto" command, and they proceeded together to the cup, where they agreed to a tie by touching it at the same time)

In the competition's third and last task, the four competitors were positioned inside a tall hedge maze, where the goal was to reach the TriWizard cup first. Before the start, Dumbledore cautioned the four about the maze's formidable challenge: "People change in the maze...You could just lose yourselves along the way."

As the two champions Harry and Cedric touched the cup together, they were simultaneously transported to a graveyard - since the cup was a Portkey. Harry realized he had visited the cemetery before, in a dream, as he stood before the gravestone of the Riddle family. As Harry screamed for Cedric to get back to the cup, they saw Wormtail/Peter Pettigrew carrying a deformed infant (Lord Voldemort). The creature ordered: "Kill the spare" -- Wormtail used the Killing Curse ("Avada Kedavra"), the third Unforgiveable Curse, to kill Cedric. After trapping Harry within the Riddle tombstone, the infant was dumped into a boiling cauldron, and Wormtail uttered an elaborate spell and potions mix of three ingredients (including "bone of the father unwillingly given" - a bone from the Riddle grave, "flesh of the servant willingly sacrificed" - his own amputated hand, and "blood from the enemy" - blood extracted from Harry's arm) to regenerate Voldemort: "The Dark Lord shall rise again."

Voldemort then summoned his "friends," the Death Eaters, and reminded them it had been 13 years since his last appearance. One of the Death Eaters who loyally vowed never to renounce the old ways was evil Lucius Malfoy (Jason Isaacs), student Draco's father. Voldemort then confronted his long-time famous nemesis Harry Potter, "the boy who lived," and Voldemort spoke of the legend of Harry's parents' death that occurred thirteen years earlier, when he truly lost his powers, due to the protective sacrifice of Harry's mother Lily (his "filthy Muggle mother"). Voldemort challenged Harry to a duel of wills and wands, and threatened death: "I'm going to kill you, Harry Potter...After tonight, no one will ever again question my powers...I want to see the light leave your eyes."

The forces from their respective wands simultaneously met each other when they both commanded spells at the same time: "Expelliarmus" and "Avada Kedavra" - causing a Priori Incantatem connection between them that called up the reappearance of the protective spirits of Voldemort's recent victims, including Cedric and Harry's own parents. Harry heard them say to let go and return to the Portkey - the TriWizard cup. He obeyed, escaped Voldemort's presence, and was immediately transported by the Portkey back to the school, along with Cedric's body. His return as winner of the third test was applauded and congratulated but at first misunderstood, until he told Dumbledore about Voldemort's return ("He's back. He's back") and his responsibility for the death of Cedric.

Harry was rushed back to Alastor Moody's office in Hogwarts Castle, where he became suspicious when his Professor began asking questions about being in the presence of the Dark Lord, and about the 'graveyard' - something Harry hadn't mentioned. Moody also became frantic after his supply of flask drink ran dry. Moody admitted how he had facilitated Harry to be in the competition, and had helped him win ("You won because I made it so, Potter"): Hagrid with knowledge of dragons in the woods, Cedric with knowledge about opening the egg underwater, and Neville with knowledge of gillyweed. Harry suddenly realized Moody had put his name in the Goblet of Fire, had bewitched Krum in the maze, and had arranged for him to be in the graveyard to give his blood to rejuvenate and revive Voldemort: "The blood that runs through these veins runs within the Dark Lord." Dumbledore arrived and prevented Moody from silencing Potter forever. Snape forcibly administered a dose of Veritaserum, so that Moody would honestly answer their questions.

It was revealed that Professor Alastor "Mad-Eye" Moody was an imposter - he was transformed into Barty Crouch, Jr. (who had been sentenced to Azkaban by his father but then escaped) before their eyes. All along, Crouch, Jr. had been drinking Polyjuice Potion from his flask, stolen from Snape's store, to create the impersonation so that he could function as Voldemort's servant. The real Alastor Moody was trapped in a multi-tiered magical trunk and released, and Barty Crouch, Jr. was sent back to Azkaban.

The film concluded with Dumbledore openly explaining to the students (Hogwarts, Durmstrang, and Beauxbatons) the truth of what had occurred: the murder of Cedric by Lord Voldemort, and the return of the Dark Lord. He reminded them that they were united: "Our hearts beat as one" and their bonds of friendship would continue, so that Diggory's death would not be in vain. Privately, Dumbledore told Harry: "Dark and difficult times lie ahead. Soon we must all face the choice between what is right and what is easy." He strengthened Harry's resolve: "You have friends here. You're not alone." The members of the other two schools departed as the school year ended. Hermione was hopeful as she told her two friends: "Everything's going to change now, isn't it?" Harry reassured her that he would write to her every week, as they left for the summer.

Film Notables (Awards, Facts, etc.)

Nominated for one Academy Award (with no win): Best Art Direction.

With a production budget of $150 million, and gross revenue of $290 million (domestic) and almost $896 million (worldwide).

This was the first PG-13 rated Harry Potter film.


Harry Potter
(Daniel Radcliffe)

Ron Weasley
(Rupert Grint)

Hermione Granger
(Emma Watson)

Draco Malfoy
(Tom Felton)

Lord Voldemort
(Ralph Fiennes)

Peter Pettigrew/Wormtail
(Timothy Spall)

Barty Crouch, Jr.
(David Tennant)

Headmaster Albus Dumbledore
(Michael Gambon)

Professor Alastor
"Mad-Eye" Moody
(Brendan Gleason)

Igor Karkaroff
(Predrag Bjelac)

Mr. Bartemius Crouch
(Roger Lloyd-Pack)

Cedric Diggory
(Robert Pattinson)

Viktor Krum
(Stanislav Ianevski)

Fleur Delacour
(Clemence Poesy)

Cho Chang
(Katie Leung)

Parvati Patil
(Shefali Chowdhury)

Professor Severus Snape
(Alan Rickman)

Rubeus Hagrid
(Robbie Coltrane)

Minerva McGonagall
(Maggie Smith)

Lucius Malfoy
(Jason Isaacs)

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